Dr Wayne Ngata (Ngati Ira, Ngati Porou, Te Aitanga a Hauiti) is a Board member of Te Kura a-Iwi o Mangatuna and the Tertiary Education Commission, and Board Chair of Te Taumata Aronui. He is active in the revitalisation of te reo Maori, and is also a specialist in Maori literature and long-time advocate for Maori art. Dame Anne Salmond ONZ DBE FRSNZ is a Distinguished Professor of Maori Studies and Anthropology at the University of Auckland, and a leading social scientist. She has written a series of prize-winning books about Maori life, European voyaging and cross-cultural encounters in the Pacific, most recently Tears of Rangi (2017) from Auckland University Press. Natalie Robertson (Ngati Porou, Clann Dhonnchaidh) is a photographic and moving image artist and Senior Lecturer at Auckland University of Technology. She has exhibited extensively in public institutions throughout New Zealand and internationally, and her photography was published in the award-winning A Whakapapa of Tradition: One Hundred Years of Ngati Porou Carving, 1830-1930 (2016), Auckland University Press. Amiria Salmond is a social anthropologist affiliated to both the University of Auckland and Cambridge University. She is a consultant / researcher on the five-year ERC-funded project Pacific Presences, studying German museum collections of Oceanic material, as well as relations between German anthropologists and those in the UK and the Pacific during the first half of the twentieth century. This work involves collaboration with present-day Maori and Pacific Island groups who have strong interests in collections from their homelands that are now in European museums. Monty Soutar ONZM (Ngati Porou, Ngati Awa, Ngai Tai ki Tamaki, Ngati Kahungunu) is an award winning historian. He has published two major research and publication projects; Nga Tama Toa: Price of Citizenship: C Company 28 (Maori) Battalion 1939-1945 and Whiti! Whiti! Whiti! E! Maori in the First World War. He has also made a significant contribution as a member of the Waitangi Tribunal and in the development of the Te Tai Whakaea: Treaty Settlement Stories Project at the Ministry for Culture and Heritage. He was awarded the Creative New Zealand Michael King Writer's Fellowship in 2021. Billie Lythberg is a Senior Lecturer in the Faculty of Business and Economics at the University of Auckland. She works at the junction of business studies, anthropology and history, with a strong focus on Aotearoa and the Pacific. Her work often explores innovation and sustainability in creative and cultural industries. James Schuster (Te Arawa) is a Maori Built Heritage Adviser (Traditional Arts) to the NZ Historic Places Trust Pouhere Taonga. Born and raised in Rotorua into a family that has maintained and practised Maori Arts and Crafts for generations, his traditional knowledge and skills have been passed down through his family. His great-great grandfather was Tene Waitere, the renowned Ngati Tarawhai carver. Conal McCarthy is the programme director in the School of Art History, Classics and Religious Studies at Victoria University of Wellington. He has published widely on the historical and contemporary Maori engagement with museums, including Exhibiting Maori: A history of colonial cultures of display (2007), Museums and Maori: Heritage professionals, indigenous collections, current practice (2011) and Museum practice: The contemporary museum at work (2015) in the series International Handbook of Museum Studies.

Hei Wahi Ake | Wayne Ngata Page 8 Mihi | Arapata Hakiwai Page 10 Introduction | Anne Salmond, Conal McCarthy, Amiria Salmon Page 12 Chapter 1: Kia Ora Te Hui Aroha | Monty Soutar Page 76 Chapter 2: E Tama! E Te Ariki! Haere Mai! | Anne Salmond, James Schuster, Billie Lythberg Page 116 A Pouhaki for the Prince | James Schuster Page 146 Chapter 3: Toia Mai! Te Taonga! | Anne Salmond Page 154 Like He's Sitting Here and Talking | John Niko Maihi Page 188 My Tupuna are revealing themselves | Sandra Kahu Nepia Page 192 Where There Was an Astronomer There's a Pohutukawa | Te Wheturere Poope Gray Page 194 The Knowledge Inside the Words | Te Aroha McDonnell Page 196 Chapter 4: Oh Machine, Speak On, Speak On | Anne Salmond, Billie Lythberg Page 200 Chapter 5: The Eye of the Film | Natalie Robertson Page 218 Chapter 6: Alive with Rhythmic Force | Anne Salmond, Billie Lythberg, Conal McCarthy Page 278 Appendices Page 304 Reconnecting Taonga | Billie Lythberg The Terminology of Whakapapa | Apirana Ngata, Wayne Ngata Relationship Terms | Apirana Ngata Notes Glossary Bibliography Image Credits About the Authors Acknowledgements Index